Articles

Religion was of secondary importance in the Thirty Years’ War. It was all about power and money. Ursula Kampmann brings that era alive. The war performs another volte-face: now, it is the Protestants’ move.

Why was the human head the motif on coins for centuries, no, for millennia? Discussions about the precise nature of these heads could be highly entertaining as the example of the Swiss Vreneli demonstrates.

Do you know the coins from Himera with the crab of Acragas on the reverse? More about the coinage of these two cities and the historical background of this particular reverse motif can be found here.

In 1683, Johann Jacob Wolrab created one of the most beautiful medals showing the relief of Vienna, which marked the end of the second Ottoman siege. Incredibly rich in details, this strike depicts the dramatic battle at Kahlenberg Mountain.

Why is it that for centuries – or rather thousands of years – the head has served as the motif for the side of a coin? And why has this changed in the last 200 years? In this episode, we will look at Henry’s VI coin portrait and tell his story.

Both religion and power were the focal points of the Thirty Years’ War that shook the whole of Europe during the 17th century. Ursula Kampmann brings that era alive. Today you will be introduced to new protagonists of this war, including a Protestant who was in no way inferior to Catholic Ferdinand when it came to fanatism.

On June 24, 2015, Künker auctions a small series of portugalöser from the city of Hamburg. They are strongly associated with both the fight of a Hanseatic city against currency manipulations and the founding of the first Giro bank in Germany.

“The Virgin Queen” is certainly the most well-known epithet of Elizabeth I. We thought, however, that “Queen of the Pirates” would be equally befitting as English privateers belong to Elizabeth’s story just as much as her virginity.

During the upcoming Künker March Auction of 2016 an innovative coin of the Roman Civil War will be auctioned off. Sextus Pompey created an aureus referring to his father, Pompey the Great and his brother, Gnaeus Pompeius.

In 466 the tyrant Thrasybulus was expelled from Syracuse, which is how the Syracusans became democratic and soon enough had to defend themselves against Athens – which would have liked to also have influence over Sicily.