Why was the human head the motif on coins for centuries, no, for millennia? And why did that change in the last 200 years? Ursula Kampmann is looking for answers to these questions in her book “Menschengesichter” (“Human faces”), from which the texts in this series are taken.
Part 1: The Father of the God, Zeus, in Olympia
Part 3: The Nymph of the Spring Arethusa
Part 4: Philip II as Hegemon of Greece
Part 5: Greek Art – Celtic Art
Part 6: The 30 Pieces of Silver
Part 9: The Battle of Macedonia against Rome
Part 10: In the Face of the Enemy
Part 12: Augustus, Peacemaking Emperor or Mass Murderer?
Part 13: Nero’s Only Diplomatic Success
Part 14: Hadrian, Citizen of the World
Part 15: A Drug-Addicted Emperor
Part 16: The Fratricide of Caracalla
Part 18: A Fine Specimen of an Emperor
Part 19: The Saint of the Heathens
Part 20: An Ancient Power Woman
Part 23: Beginnings of the War of Roses or the idle king
Part 24: The woman in charge of Zurich
Part 25: The Saint of Halberstadt
Part 29: The Doge, powerless ruler over a mighty empire
Part 30: The Hercules of Ferrara
Part 31: The Condottieri, winners in every war
Part 35: A girl gets herself a husband
Part 36: Charles V – Territories as far as the eye can see
Part 37: Francis I, “Traitor of Christendom”
Part 38: Henry VIII and the second of his six wives
Part 41: Augsburg and the Thirty Years’ War
Part 42: The Duke of Friedland
Part 46: “When you call, my Fatherland”
Part 47: The frivolous Vreneli
Part 48: Simón Bolívar, South America’s heroic freedom fighter